The stills that make up Tiny Sydney were edited together using software called LRTimelapse with some of the special effects coming from Adobe’s After Effects, mainly the lens blur responsible for the tilt-shift look. Check out some of the stunning stills he captured: Rivetti captured the thousands of photographs required to make this timelapse in various landmarks around Sydney, Australia using his Canon 5D Mark III and 7D, either of which were outfitted with a Canon 16-35mm f/2.8, Canon 70-200mm f/2.8, Canon 24mm f/1.4, or a Zeiss 50mm f/1.4. The main attraction in Benidorm has to be the beach. It’s relatively warm here all year round, so there is never a bad time to visit, and during the summer months, you are looking at an average temperature of 26 degrees. In the timelapse below, Filippo Rivetti added the effect to the entire clip, creating a very vibrant and very tiny Sydney: The sun shines for an average of 3,400 hours every year here compared to a measly 1,340 in the UK. That makes tilt shift lenses a big help for architectural photography. The camera body remains in the same position, but the tilt shift adjusts the lens’ perspective. But I found a lot of nice stuff that I may or may not. By tilting the lens, you change the center of that imaging circle, which can straighten the lines that appear to converge in the distance. The effect is traditionally done using special lenses that allow you to tilt them in different directions to shift focus, but tilt-shift can also be replicated using programs like Photoshop. I transfered all of my pictures from my desktop to my laptop the other day. Tilt-shift photography is a technique that make scenes appear to be miniature by blurring part the top and bottom slices of the photograph.
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